Above: Years before he became well known as a Hollywood character actor, Robert Greig is shown here with fellow actor and wife Beatrice Holloway. They remained a devoted couple until his death in 1958, although the move to the US meant the end of her career. Source; Table Talk, Thursday 29 June 1922. Via National Library of Australia Trove
Robert Greig was the quintessential movie butler of Hollywood’s golden age. He first appeared in the Marx Brothers Animal Crackers in 1930, playing the role of Hives the butler, followed by another twenty years of related roles – more butlers, doormen, stuffy judges and remote English lords. Various online biographies generally make no reference to the first fifty years of his life, or the significance of Beatrice Denver Holloway, his wife and on-stage collaborator for many years, who moved with him to the US in the late 1920s.
Beatrice Denver Holloway was born in Richmond, Melbourne Australia in 1884. The daughter of actor-manager Charles Holloway and actress Alice Doerwyn, she learned her stagecraft with her parents and the Holloway Dramatic company, travelling Australian cities and towns. Her earliest appearance was at the age of 10, as the child Anne, in The World Against Her, a drama on the “question of marriage.”
Above: Beatrice Holloway c.1900-1910. The Royal Studios, Brisbane. Via The National Library of Australia
She later had notable success in a popular, sentimental story of two homeless boys – Two Little Vagabonds by George R. Sim and Arthur Shirley. This production was toured throughout Australia and New Zealand in 1903, with Beatrice playing Dick and Sophie Lashmore as the consumptive Wally. While it is a style of production that audiences would now find very dated, it found enthusiastic audiences in 1903. The following typical lines are spoken by Wally as he departs this world;
“I won’t be a thief never no more, lady, never so more so long as I live. And I shall see my muvver, my real muvver in Heaven. Good-bye, my old pal Dick.”
Above: Beatrice in Two Little Vagabonds. Source: Otago Witness, 30 March 1904. Via National Library of New Zealand, Papers Past
Robert Greig was born in Toorak, Melbourne, Australia in December 1879. At birth, he was named Arthur Alfred Bede Greig. However, Robert Greig was his stage name and in life he was known as Bob or Bobbie to all who knew him well. After an education at Xavier College and some mundane experience working at Dunlop Tyres and as a commercial traveller, he became increasingly interested in amateur theatricals, and then, nearing the age of 30, made the transition to professional performer. He was offered a contract with the Hugh Ward Comedy Company, in 1909. He toured with them for a season, performing comedy roles in “The Man from Mexico” and “Mr Hopkins”.
Beatrice and Bob met and first performed together in “Beauty and the Barge” in 1911. It was the start of a long and productive partnership. They married in December, 1912. It was a novelty wedding for the time – considerable press attention was given. Melbourne Punch ran full page photos of the wedding party which included Fred Niblo and Josephine Cohan – who had arrived from the US only six months before. They had met while preparing for George M Cohan’s “Get-Rich-Quick Wallingford,” which had its Australian premiere at the Criterion Theatre in Sydney, in August 1912. Niblo gave the bride away and was a witness.
Beatrice and Bob’s wedding reception at the Oriental Hotel, Melbourne. Standing L-R; Tom Cochrane, Josephine Cohan, Fred Niblo. Seated L-R; Bertha Ballenger, Beatrice, Bob, Mrs Holloway (Constance Doerwyn) Source; Punch, 26 December, 1912 Via National Library of Australia, Trove.
During Niblo and Cohan’s three years in Australia, they often worked with Beatrice and Bob, although apparently not on Niblo’s two Australian filmed versions of Get-Rich-Quick Wallingford and Officer 666, made for J.C.Williamson’s in 1916. Bob stated a great admiration for American plays. “They are all about natural people…there is always a big, good-natured man in anything American,” he told Adelaide’s Critic in November 1913.
Above: A program for Get Rich Quick Wallingford, 3 August 1912, featuring Cohan, Niblo and Greig. Via J.C. Williamson scrapbooks of music and theatre programmes, Sydney and Melbourne, 1905-1921. PROMPT Scrapbook 8 – Vol 2.
As Elisabeth Kumm has noted, Australian theatre was already undergoing change even before the outbreak of World War One. After a brief hiatus in 1914, Australians flocked back to the theatres for escapism, and US comedies and performers filled some of the headline acts once dominated by British stars, now difficult to engage. In early 1918, Bob became Associate Director for the Tivoli theatre circuit. It seems the disruption of the War and attractive local contracts kept the couple busy in Australia for more than ten years, touring Australian towns and cities. Often under the banner of the Greig- Holloway Comedy Company the couple performed new plays like Baby Mine and familiar favourites including Officer 666.
At left – Bob and Beatrice in 1918. Melbourne Punch, August 22, 1918. via National Library of Australia, Trove.
Right – Bob Greig and Beatrice Holloway – still performing Officer 666 in Adelaide in 1924, ten years after the play’s first run in Australia. The Adelaide Register, 12 July 1924. via National Library of Australia, Trove
With many friends and connections overseas, Bob and Beatrice often spoke of travelling to the United States, where both he and Beatrice felt sure they would find work. The demand in the US for Beatrice’s “style of work” was great, he once said. In fact, it was not until 1925 that they travelled to the US, and then it was Bob who appeared onstage at Philadephia’s Garrick Theatre in “A Night Out”, not Beatrice.
Bob’s first Hollywood role was an important straight character role as Hives the Butler, in the 1930 Marx Brothers’ film “Animal Crackers”. Bob had played the same role in the Broadway musical production a year before. But aged in his 50s and by now, very overweight, he found himself consigned to playing similar roles in Hollywood films. An Australian newspaper report appeared in 1936, stating he was feeling typecast and had tried a trip to the UK to break the cycle. If this was so it didn’t work. In a career of more than 100 films, the movie butler became his signature role.
A few years after settling in the US, Robert Greig had a refined transatlantic accent. In this short clip from Dorothy Arzner’s Merrily We Go to Hell (1932), Jerry Corbett (Frederic March) complains he can’t find a baritone. Bartender Robert Greig explains that he is one.
By the time of the 1940 US census, he and Beatrice lived comfortably in an apartment on Franklin Avenue Los Angeles, living on a modest income from his films. Robert died in 1958, Beatrice in 1964. What became of Beatrice’s career aspirations we do not know.
Robert Greig’s memorial plaque at Holy Cross Cemetery in Los Angeles. A sign of the couple’s enduring affection.
The couple did not return to Australia and soon lost touch with their Australian admirers. One hopes that the couple lived a happy life. But one can’t help feeling that the “fondest memories” Beatrice referred to on Robert’s memorial were of the years before Hollywood.
Nick Murphy, December 2018
- Elisabeth Kumm, Theatre in Melbourne 1914-1918, the best, the brightest and the latest.
La Trobe Journal, No 97, March 2016. State Library of Victoria
- National Library of Australia, Trove
- National Library of New Zealand, Papers Past