Above: University of Washington, Special Collections, JWS24555. (Enlargement) Reproduced with permission. The Commonwealth of Australia was 4 years old when this photo of the Pollard’s Lilliputian Opera Company was taken in the Philippines in late 1904 or early 1905. Close examination of the original (here) suggests the children are posing with chained prisoners. The children include front row, 1st from left: Leah Leichner, 2L Teddy McNamara, 6L Freddie Heintz, 1st from Right: Harry Fraser (later Snub Pollard), 2R Johnnie Heintz, 4R Daphne Pollard. Standing in the rear at left is Oscar Heintz.
On 30 June 1901, The San Francisco Call announced the impending arrival of an exciting troupe of young Australians, Pollard’s Lilliputian Opera Company from Melbourne. While the paper assured readers they were all extremely talented, it explained they were “all children of the poorer classes”, one performer being “picked up on the streets,” it was claimed.
Over the period 1898-1909, Charles Pollard (1858-1942) and his sister Nellie Chester (1861-1944) took travelling troupes of children overseas, overwhelmingly girls and mostly residents of the inner suburbs of Melbourne, to perform musical comedies at colonial outposts in South East Asia and then through the cities of Canada and the USA. One tour was away for over two years. These troupes were always known as Pollard’s Lilliputian Opera Company, although they had a continually changing mix of new and seasoned performers. The children were indentured to the Pollards in a way we would find unthinkable today – and even then, Pollard tours sometimes caused controversy, most notably in 1909-1910 when Arthur Hayden Pollard‘s (1873-1940) tour to India collapsed in scandal.
Pollard’s performers in Vancouver 1905. This photo is enlarged from a group photo via Vancouver As It Was: A Photo-Historical Journey (click to follow the link) reproduced with permission. Left to right: Ivy and Daphne Trott (Pollard), Irene Findlay, Leah Leichner, Willie Thomas all from inner Melbourne.
The Pollard’s performers were generally the children of unskilled and semiskilled workers; bakers, boot-makers, tailors, plumbers, ironmongers, carriers, cab-drivers and fruiterers. Several parents were bookmakers, the Trott girls (Ivy Trott and Daphne Pollard) were the children of a french polisher, Midas Martyn‘s father was a bookbinder. They were almost all children from families living in modest cottages built in close proximity to light industry – and they particularly hailed from Fitzroy, Collingwood and Abbotsford. Some lived in such close proximity to each other it is inconceivable they were not acquainted before they signed up.
Here are some short accounts of a few of the Pollard children.
Oscar, Freddie & Johnnie Heintz
Oscar Heintz was born in 1891, twins Freddie and Johnnie Heintz in 1896. Their father John Heintz was a baker, and he and his wife Annie nee Garland lived in a modest single storied terrace at 84 Kerr Street, just a few doors from the home of Daphne and Ivy Trott, in the heart of Fitzroy. John Heintz died in 1900 aged only in his late 30s. A few years later, his three boys joined the lengthy Pollard’s tour of Asia and North America, that departed Melbourne in July 1904 and returned home in February 1907.
Above left: The Heintz family lived at 84 Kerr St Fitzroy, the house with the red door. On New Year’s Day 1913,Freddie was chased into his home by Police, after swearing in the street. He threw a chair at them before being arrested. Photo – Author’s collection. Above right: Freddie and Johnnie Heintz on the July 1904 – Feb 1907 Pollard’s tour of North America. Photo – courtesy Robert Maynard
Remarkably, at the end of the tour in 1907, 16 year old Oscar Heintz stayed on in the US, settling in Portland, Oregon, where with the help of the YMCA, he studied, worked in a bank, married, raised a family and eventually became sales manager for Neon Manufacturing. His was the classic American immigrant made-good story. He returned to Australia to visit family in 1929.
Freddie and Johnnie Heintz travelled again with a Pollard’s tour that departed later in 1907, and also on the ill-fated Indian tour in 1909. The twins then appeared on stage in Australia for several years. Freddie, probably the more boisterous of the twins, returned alone to the United States in 1914 – performing for a while with Queenie Williams and some of the other former Pollard’s players. He changed his stage name at least twice – to Freddie Garland and later to Freddie Steele, but struggled to build an ongoing stage career of his own. He crossed the border to join the Canadian Army in 1918. He seems to have ended his days alone, working as a handyman in Freeport, New York. His twin brother Johnnie Heintz would have no more of the life of the travelling performer after 1911 and following in his father’s footsteps, became a pastry chef, based in Adelaide.
Above: Freddie visiting Oscar, as reported in The Oregonian (Portland Oregan), 25 July, 1922. Via Newspapers.com
Alice and Ethel Bennetto
Alice (1886 +) and her sister Ethel (1889+) were born at 36 Argyle Street, Fitzroy, to Arthur Martin Bennetto, a bricklayer and Sarah nee Montague They both travelled on the Pollard’s tour of North America in Sept 1901 – Oct 1902.
When US President William McKinley died in September 1901, the Pollard’s company, then travelling through Honolulu, joined a Jewish memorial service held in the assassinated President’s honour. 16 year old Alice Bennetto led a chorus of Pollard’s children singing during the service. Company treasurer Arthur Levy introduced the children’s music with the solemn words “We have come as Israelites…” suggesting that more than a few of the performers were from inner Melbourne’s large Jewish community.
In 1903 the Bennetto family had moved to 86 Kerr St Fitzroy, next door to the family of Oscar, Johnnie and Freddie Heintz. Both the Bennetto girls went on to stage careers in Australia and New Zealand, with some success. Ethel, famous for her dancing and singing, earned some notoriety in 1918 when the Melbourne Police took exception to some of the scanty “Egyptian” costumes she wore in the Tivoli theatre production Time Please. She also appeared in the (now lost) Australian comedy film Does the Jazz lead to Destruction? Soon after, while performing in New Zealand, she met and married a doctor and subsequently left the stage.
But Alice maintained her career. She was still singing for Australians thirty five years later, as a member of Stanley McKay’s Gaieties troupe.
Above: Ethel in Egyptian attire, reported by The Sun (Sydney) , 28 Jul 1918, Page 10, Via National Library of Australia’s Trove.
Above left: The very modest terrace at 36 Argyle St Fitzroy, the house with red painted verandah iron in the centre – the home of the Bennetto family when Alice and Ethel were born in the 1890s. Photo – Author’s collection. At right: Alice Bennetto in Table Talk (Melbourne), 6 January 1910. Via the National Library of Australia’s Trove.
Born in Williamstown, Victoria in 1896, Ethel Naylor travelled on the July 1907- April 1909 Pollard’s tour to North America. In July 1909, she also departed on Pollard’s Indian tour, this time with her older sister Nellie. The girls were the daughters of bookmaker Joseph Naylor and Alice nee Kennedy.
Their family life had been very difficult – Joseph suffered such serious mental illness that he was hospitalised in the asylum at Kew in 1905. He died there in 1907. Of his seven children, only Ethel, Nellie and one other sibling survived childhood – an experience enough to test the sanity of anyone. His widow Alice found life hard, and she drifted between residences. The only contact Truth newspaper could find for her when the Pollard’s Indian tour returned in 1910 was Alice’s workplace address – which was the famous Lucas’ Town Hall Cafe, in Swanston Street, Melbourne, now where the Capital Theatre stands.
Above: Ethel Naylor featured in the Oroville Daily Register (California), 24 Jan 1916. Via Newspapers.com
The 3 story Town Hall Cafe (centre) and the Talma Photographers building, Swanston Street, Melbourne, from the Town Hall corner, c.1899. State Library Victoria, Gwyn James Collection, H93.466/6. (The Talma Building still stands)
Ethel did perform on stage again, and with significant success. In July 1912 Nelly Chester raised another Pollard’s troupe for touring the US. This time the players were older, and no longer described as Lilliputians, or children, so as to comply with the 1910 Emigration Act. However, many were former Pollard’s players, including Ethel. She did well with the “Pollard’s Juvenile Troupe” that travelled through the United States and Canada. Like many of the performers on this final tour, Ethel stayed on in the US. By the late 1920s she had well and truly changed direction and was working as a registered nurse at the General Hospital in Aberdeen, Washington state. She married in 1932.
Minnie, Nellie and May Topping
Henry Topping was a plumber, and with his wife Mary Ann, nee Plant, they parented seven children. The family lived in and around the northern end of Fitzroy Street, a north-south street that runs the length of the suburb of Fitzroy. They lived a few hundred metres from the Trott and Heintz families in nearby Kerr Street. Minnie (born 1885), Nellie (born 1888) and May (born 1890) Topping all appeared with Nellie Chester and Charles Pollard’s troupes. All three children travelled together on the 1901-1902 tour to North America, and May and Minnie again in 1902-3.
Minnie and May Topping, photographed in 1909. The Gadfly (Adelaide), 20 January 1909, Via the National Library of Australia’s Trove. Photo of the northern end of Fitzroy St, looking south, from the footpath outside the Topping’s now demolished home. Author’s collection.
The Topping sisters moved across to the other Pollard’s Liliputian (consistently spelled with two rather than 3 “L”s) Company in 1907 – this company was run by Tom Pollard and performed exclusively throughout Australia and New Zealand. They are unusual in that respect – as no other players did this. We can assume they found the extended North American travel with Charles Pollard and Nellie Chester too arduous.
Minnie Topping, who had proved to be a very popular performer, left the Australian stage in 1913, after marrying a Queensland pastoralist. May continued to perform with the Lionel Walsh – Phil Smith company until well into the 1920s. By this time, the family home (the girls lived here until they married) was at 521 Canning Street Carlton North, a building that still stands. (Left- author’s collection)
We know a little more of the Topping family life because in 1899, a long suffering Mary Ann took Henry Topping to court to force him to support the family, and the Melbourne Herald reported the case. He was a drunken and violent husband and Mary Ann and the children had left him because of this. By way of a somewhat lame explanation, Henry explained that he was not a certified plumber, and had only made 2 shillings so far that week. The court found in favour of Mary Ann and ordered Henry to support his family. Of the black eyes he had inflicted on Mary Ann, the court had nothing to say.
George (born 1881), another of the Topping children, was an Australian Rules Footballer for Carlton, and later an AFL Umpire. The girls’ youngest brother, Albert, was killed soon after arriving on the Western front in August 1916.
- University of Washington Special Collections, for permission to use the photos of the troupe. Their collection of photos of the Pollard’s troupes while on tour in North America is invaluable.
- To Jean Ritsema, in Michigan, for her research efforts in North America.
In the absence of meaningful contemporary interviews with these performers, two works of fiction are highly recommended – that help give some sense of the context, motivation and everyday lives of young Australian performers.
- Kaz Cooke (2017) Ada. Comedian, Dancer, Fighter. Viking /Penguin. A fictional account of Ada Delroy’s life.
- Kirsty Murray (2010) India Dark. Allen and Unwin. A fictional work inspired by the Pollard Tour of India in 1909-1910.
- Gillian Arrighi & Victor Emeljanow (Eds) (2014) Entertaining Children: The Participation of Youth in the Entertainment Industry, Chapter 3, Palgrave MacMillan.
- Gillian Arrighi (2017) The Controversial “Case of the Opera Children in the East”: Political conflict between popular demand for child actors and modernizing cultural policy on the child”. Theatre Journal 69, (2017) John Hopkins University Press.
- Kirsty Murray (2010) India Dark. Allen and Unwin.
[Note: While written as a novel for teenagers, this beautiful book is closely based on the events of Arthur Pollard’s troupe in India and is highly recommended]
- Justine Hyde’s blog Hub and Spoke which includes an interview with Kirsty Murray about India Dark.
- Leann Richards (2012) Theatrical Child Labour Scandal Stage Whispers website.
Birth certificates, Ships manifests, Voting rolls, Census details etc sourced from
Regarding Oscar, Freddie and Johnnie Heintz
- Via Newspapers.com
Calgary Herald (Alberta, Can) 9 Oct, 1908 P7
The Evening News (Penns) 13 Dec 1922, P12
Oregonian (Oreg) 10 Oct, 1929
- Via National Library of Australia’s Trove
Herald (Vic) 3 Jan 1913, P 6
Regarding Alice and Ethel Bennetto
- Via National Library of Australia’s Trove.
Advertiser (SA) 29 Nov 1923, P11
- Andrew Pike and Ross Cooper (1980) Australian Film, 1900-1977. Oxford University Press/AFI
The Honolulu Republican 1 Oct 1901.
Regarding May, Nellie and Minnie Topping
- Via National Library of Australia’s Trove.
The Herald (Vic) 16 Mar 1899, P1
The Australian Star (NSW) 3 Sept 1901, P7
Table Talk (Vic) 16 Feb, 1905, P16
The World’s News (NSW) 26 Oct 1907,
Evening Telegraph (Qld) 31 Aug 1908, P4
The Gadfly (SA) 20 Jan 1909, P8
- Peter Downes (2002) The Pollards, A Family and its child and adult opera companies in New Zealand and Australia 1880-1910. Steele Roberts, Aotearoa